Monday 7 March 2011

Wikipedia Summary of Release


  • Originally given a 15 rating by the BBFC
  • Due to scenes where Logue encourages the King to shout profanities to relieve stress
  • Salt and Casino Royale both include torture scenes yet are 12As 
  • Following Hooper's criticism the board lowered the rating to a 12A
  • Motion Picture Association of America gave the film an R rating - have to be 17 or accompanied by an adult
  • Harvey Weinstein, the producer, said he was considering having the film re-edited to remove some of the profanity, so that it would receive a lower classification and reach a larger audience 
  • Tom Hooper refused to cute the film although he considered covering the swear words with bleeps 
  • Helena Bonham Carter also defended the film saying the film is not violent and is full of humanity and wit 
  • Firth noted that the context of the use wasn't offensive 
  • An alternate version with the profanities muted out of the soundtrack was classified PG-13 by the MPAA, this version will be released to theatres across the US, replacing the R-rated cut. 
  • Distributed by Transmission in Australia, Momentum Pictures in the UK, the Weinstein Company in North America 



Guardian Article Extract

(TheGuardian) has often had cause to quote the "10% rule", which suggests that the UK gross of a film in sterling will usually be around a 10th of the US figure in dollars.

The King's Speech

Guardian > Film > Culture > The King's Speech

Click here for full Guardian article 

  • Distributed by Momentum Pictures 
  • £3.52 million opening weekend
  • Slumdog Millionaire £1.83 million 
  • The UK film council financially backed the King's Speech
  • Funded by 6 independent financial bodies as opposed to large studies e.g. Universal - lacked brand recognition 

Key to making a film a success: 
  • Marathon publicity 
  • Strong critical support
  • Bold positioning by distributors 

Issues in the British Film Industry

Monday 22 November 2010

Funding Structures: Investors' Returns:

  • Difficult to predict 
  • Need to find other ways of ensuring investor getting money back
  • If market unpredictable (as it is at present) it is even more difficult 

Funding Structures: Guaranteeing Success/Reducing the Risk

  • Prequel/sequel 
  • Known director/scriptwriter/stars 
  • Develop from existing format (novel, etc)
  • Huge budget (can itself, create a 'buzz')
  • Early teaser strategy established
  • Release date scheduled carefully (Christmas, summer holiday, halloween etc)
  • Avoid 'duplication' of similar genre released at same time (often impossible to know for sure) 

UK and US Funding Structures: Initial Issues

  • Initial investment: A company, its machinery, sites and personnel have to be 'set up'
  • The demand and supply must be 'constant' (you can't have workers being idle - it costs too much)
  • Market research has to be paid for, the company need to know that the product is 'liked' by its customers
  • Advertising and marketing must be employed (print, moving-image, radio and e-media) to keep the 'buzz' about the product going, therefore, keeping sales at a maximum
  • Industry factors are not fixed; they cannot be accurately predicted; tastes change and this can be disastrous
  • Staffing costs in the movie industry are huge as is the race to develop new technologies; this can cripple companies 
  • The key word (in any company but very much in the film industry) is RISK